In the summer of 2006, Sigur Rós returned home to play a series of free, unannounced concerts for the people of Iceland. This film documents their already legendary tour with intimate reflections from the band and a handful of new acoustic performances.

Chronicles the rise and fall of 1970s New York City nightclub Plato’s Retreat.

When Hurricane Katrina ravaged America’s Gulf Coast, it laid bare an uncomfortable reality-America is not only far from the world’s wealthiest nation; it is crumbling beneath a staggering burden of individual and government debt. Maxed Out takes us on a journey deep inside the American debt-style, where everything seems okay as long as the minimum monthly payment arrives on time. Sure, most of us may have that sinking feeling that something isn’t quite right, but we’re told not to worry. After all, there’s always more credit! Maxed Out shows how the modern financial industry really works, explains the true definition of “preferred customer” and tells us why the poor are getting poorer and the rich getting richer. By turns hilarious and profoundly disturbing, Maxed Out paints a picture of a national nightmare which is all too real for most of us.

Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

The shocking, heart-wrenching story of British-Canadian engineer William Sampson who lived a privileged life in Riyadh, Saudi Arabia until he was kidnapped, locked up and tortured by Saudi thugs for almost three years.

Anthony Burgess created the primitive language for the early humans in this prehistoric adventure about a trio of warriors who travel the savanna, encountering sabre-toothed tigers, mammoths and cannibalistic tribes in search of a flame that would replace the fire their tribe has lost.

A look at tightrope walker Philippe Petit’s daring, but illegal, high-wire routine performed between New York City’s World Trade Center’s twin towers in 1974, what some consider, “the artistic crime of the century.”

A documentary about the closure of General Motors’ plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

The Meerkats is a feature-length 2008 British nature documentary film which reveals the daily struggles of a clan of meerkats in the Kalahari Desert. It was produced by BBC Films and the The Weinstein Company, and filmed by the award-winning BBC Natural History Unit. It is the debut directorial feature of James Honeyborne, previously a producer of natural history programmes for television.

An inspiring look at how one family’s connection to each other and their surroundings is a model of resilience and fortitude for us all. The story features the coming of age of a young meerkat pup, Kolo growing up in the Kalahari desert. Shot using ground-breaking techniques, this dramatised documentary is a one-of-a-kind presentation from The Weinstein Company and the BBC, the world’s pre-eminent nature filmmakers.

A year in the life of punk band, Heavy Load, whose members include some musicians with learning disabilities.

Bill Maher’s take on the current state of world religion.
He interviews some of religion’s oddest adherents. Muslims, Jews and Christians of many kinds pass before his jaundiced eye. Maher goes to a Creationist Museum in Kentucky, which shows that dinosaurs and people lived at the same time 5000 years ago. He talks to truckers at a Truckers’ Chapel. (Sign outside: “Jesus love you.”) He goes to a theme park called Holy Land in Florida. He speaks to a rabbi in league with Holocaust deniers. He talks to a Muslim musician who preaches hatred of Jews. Maher finds the unlikeliest of believers and, in a certain Vatican priest, he even finds an unlikely skeptic. Written by J. Spurlin