Writer/Director Dante Tomaselli merges two disturbing storylines into this visually arresting chiller. The first involves a band of five teens that escape from a drug rehabilitation center to cash in on a questionable promise of salvation from the psychopathic Reverend Salo Jr. (Vincent Lamberti). Leader of the pack Luck (Danny Lopes), fueled on major hallucinogens, transports the gang to the reverend’s isolated house where the basis of the second plot has been set simultaneously. Here lives Grace (Lizzy Mahon), Salo Jr.’s daughter, whom he and his equally bizarre wife (Christie Sanford) have enslaved through enforced drug addiction and psychic brainwashing. Grace’s only salvation appears to be by the guidance of her paternal grandfather Reverend Salo Sr. (The Amazing Kreskin). But this hope is quickly jeopardized when it becomes revealed that his comforting visitations may be being made from beyond the grave. Regardless, it is through Grace’s visions involving him that she learns of her parent’s demonic pastimes, which include abduction, murder, and possibly worse. Shortly after the arrival of the rehab escapees, Luck shoots and kills Salo Jr. and his wife. This eruption of bloody violence becomes the catalyst for the unleashing of dark forces with terrifying results.

After the suicide of her beloved father, the biologist Daniella Logan visits her catatonic mother in a mental institution to tell the tragic event and her mother calls her “Josephine”. Daniella goes to the cemetery and finds that her father’s grave had been opened and his corpse was profaned. She decides to investigate, and receives a message of a diabetic priest, Father Elias, who tells her about an ancient fanatic religious sect of followers of Abraham that kills the first child. Later, she meets a weird man, Toby Harris, who claims to be his legitimate father. Daniella continues seeking the truth about her origins and discloses very dark secrets about her family and friends.

Courtroom thriller about a slick, hotshot lawyer (Richard Gere) who takes the seemingly unwinnable case of a young altar boy (Edward Norton) accused of murdering an eminent catholic priest.

Susanna is rushed to the hospital. Afterwards she discusses this with a psychiatrist. She had been having some delusions. She had also been having an affair with the husband of her parents’ friend. The doctor suggests that combining a bottle of aspirin and a bottle of vodka was a suicide attempt. This she denies. He recommends a short period of rest at Claymoore. Claymoore is a private mental hospital full of noisy, crazy people. Georgina is a pathological liar. Polly has been badly scarred by fire. Daisy won’t eat in the presence of other people. Lisa is a sociopath, the biggest exasperation for the staff - like Nurse Valerie - and the biggest influence on the other girls in the hospital. Lisa has a history of escapes, so gaining access to personal medical files is not a problem… Susanna’s boyfriend Toby is concerned that she seems too comfortable living with her institutionalized friends…

A crime/conspiracy story based on the influential comic by Alan Moore. Watchmen focuses on the every day life of out of work superheroes. Costumed superheroism has been outlawed, and most groups have been abandoned. But as a new threat presents itself, the paranoid masked detective/vigilante Rorschach uncovers a conspiracy to destroy all masked heroes.

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When folk icon Irving Steinbloom passed away, he left behind a legacy of music and a family of performers he has shepherded to folk stardom. To celebrate a life spent submerged in folk, Irving’s loving son Jonathan has decided to put together a memorial concert featuring some of Steinbloom’s best-loved musicians. There’s Mitch and Mickey, who were the epitome of young love until their partnership was torn apart by heartbreak; classic troubadours The Folksmen, whose records were endlessly entertaining for anyone able to punch a hole in the center to play them; and The New Main Street Singers, the most meticulously color-coordinated neuftet ever to hit an amusement park. Now for one night only in New York City’s Town Hall, these three groups will reunite and gather together to celebrate the music that almost made them famous.

A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang, the only son of an opinionated but inwardly-timid father and a genteel, religious mother. As Dysart exposes the truths behind the boy’s demons, he finds himself face-to-face with his own.

This 98-minute film is a stark and stylish horror/thriller that turns everyone’s favorite time of the year inside out. Olivia Hussey and Margot Kidder star among an ill-fated houseful of sorority sisters celebrating the holiday season. Festivities turn fatal when obscene phone calls break the serenity and it becomes clear that a psychopath is stalking the house.

A descent into Hell is triggered when “Ex-Lord” Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help.

What’s Eating Gibert Grape is a beautifully shot movie of tenderness, caring and self-awareness that is set amongst the fictional working class one street town Endora. Centred around the Grape family Ellen and Amy and their two brothers Arnie and Gilbert, who, along with their morbidly obese widowed mother Bonnie Grape are striving to survive and coexist with the absence of a father figure, low wage work and seventeen-year-old Arnie’s severe mental condition. It is in this awkward and extremely one sided affair that the unfortunate Gilbert (Johnny Depp) has to constantly, while working for the town’s slowly dying Convenience Store, take care of his younger brother, played to such depth and conviction by a very young Leonardo DiCaprio. Gilbert’s life, his future, is thwarted he know this, but it is in this Guardian Angel that his love and bond for Arnie cannot, and will not, be let go. That is until the free spirit of Becky (Juliette Lewis) arrives in town, and with her grandmother are stranded for the week while waiting for parts for their vehicle. This realisation unties new feelings, new thoughts and new hope for the put upon Gibert, something new is eating Gilbert Grape.

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong?

Based on the true story of Australian pianist David Helfgott, this delightful movie charts the early and traumatic early years. Telling the story in flashback we see David as he grows up and into a child prodigy while his father abuses him and his siblings with the memory of his childhood in Europe and the loss of his family in the concentration camps. David finally breaks away from his father and goes away to study overseas, he later suffers a breakdown and returns to Australia and a life in an institution. Many years later he is released and through several twists of fate (in reality even more unlikely than film portrays) he starts playing a piano in a bar before finally returning to the concert hall.